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TB Joshua Made Childless Couples To Exchange Spouses – Ex-Worker

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Following a controversial documentary by the BBC on the founder of the Synagogue Church of All Nations, Pastor Temitope Joshua, a pastor in the Redeemed Christian Church of God, Debo Akinyemi, in a write-up published by ChurchTimes Nigeria, shares his experiences when he worked for the late pastor.

Having related closely, though for a short time, with TB Joshua as a journalist, I feel a compelling need to weigh in on the controversy trailing the recent expose released on him by BBC.

The argument in favour and against the BBC documentary shows that opinion is divided as to whether he was a genuine man of God or not.

Let me submit that from my personal view he was neither here nor there. It was difficult to place him because of his almost perfect outward posturing and inner suspicious conduct. Those who judged TB by his looks and humility fail to draw from the biblical saying that outward appearance could be deceptive.

I first set my eyes on him in the late 90s when he was still an itinerant white garment prophet. He used to visit Today’s Choice, the soft-sell magazine where I worked as the Sports Editor.

His points men then were our editor Osa Irabor and News Editor, Jide Oshokoya. The purpose of his frequent visits then was to curry publicity for the small things he was doing then as an upcoming church owner.

But later our paths crossed again. And this time he had become a big brand, even if controversial. One of my friends had informed me of a vacancy in The Exclusive, a quaint weekly Newspaper he was publishing. Initially, I didn’t know TB Joshua had anything to do with the paper because his name never appeared in the list of management and board members.

But when I discovered that he not only owned the paper but also had almost a choke hold on the management of the paper, I became scared and wanted to turn down the appointment given to me as the deputy editor of the paper.

I had to go and seek counsel from my provincial pastor who encouraged me to take up the appointment and do my job with as much professional detachment as possible. It did not take long after joining the paper when I began to notice very disturbing developments.

He was nocturnal

First and foremost, I noticed TB Joshua was a man of the night. He would summon us the senior editorial staff to his church for meetings fixed for 5 or 6 pm but would never show up until 12 or 1 am the following morning. And when he eventually showed up the matter for which he called us could be very mundane. And the meeting itself hardly lasted longer than 10 minutes.

But while keeping us waiting he would feed the team to bursting with sumptuous meals, many times, jollof or fried rice heaped to the skies with huge chunks of chicken.

Being a spiritually sensitive person I never tasted the food, though it was always highly attractive. I was always remembering Daniel and the King’s portion in the bible. My colleagues who could have much more than normal usually would eat my portion.

The next thing would be a directive from the prophet for us to go and pass the night in places prepared for us on the premises of the church. Again I avoided joining others to sleep there. I found it funny that our publisher would deliberately invite us for a meeting and ensure we were not able to go back to our houses.

So I would insist on going home. In fairness to him, he never stopped me or any other member of the team from leaving. He once directed the driver of his security backup vehicle to drop me in front of my house in Ota, Ogun State by 3 am. So those who stayed back chose to do so out of their own volition or probably in excessive deference to the man.

Generous with funds

But one thing I could not avoid was the bulky envelope filled with money that he always handed out to us at each meeting.

You could open your envelope and find as much as 25,000. Just as you could be summoned to another meeting the following day or each day the rest of the week after which the envelope would go round. It never mattered if you had not touched the handout of the previous meetings where nothing of importance was discussed.

Sometimes he would just say the meeting was to commend some of us for the stories we wrote. This seemed to make him the toast of the team except me. This generosity seemed more subversive than anything else. What publisher would call meetings to disrupt editorial schedules just to share envelopes?

Disciples lived regulated lives

The frequent visit to the place on his invitation made it possible for me to observe some of the inner workings of TB’s church. He kept a large flock of special workers labeled disciples, many of whom were gorgeous, ravishing young ladies.

He forbade the disciples from any form of secular job, though many of them had second or even third degrees. They were not permitted to own any savings or carry money on them anytime. But their needs were adequately met.

They only needed to make requisitions for whatever material needed like clothes, shoes, and bags, and seek TB’s approval. The materials would be supplied promptly. Of course, they fed free of charge and lived in the hostels built by the church.

But they lived a highly regulated life that made them appear like soulless robots. They lived more in fear of the prophet than God. They also seemed to have taken an oath of secrecy.

So they spoke, saw, and heard no evil about the church system. They were not permitted to step out of the gate of the church without a pass signed by the prophet. Yet the disciples looked happy, except that they were separated from their beloved ones.

They dared not step outside the stricture set by Joshua. The consequence was always grave. They could disappear without a trace or get ejected into a difficult life of dreariness outside. Those so rejected would find it difficult to survive and soon begin to beg to be taken back.

I once met one of such evictees who was once a top-flight disciple with ostentatious dress sense. After a few months of his eviction, he was just a shade away from madness. He was looking gaunt, wearing dirty tatters, and unable to speak coherently.

Issues with married people

Another strange thing about the church was the way he made married couples swap partners among themselvesHe made this happen as a ritual to enable childless couples to have children. Strangely, many couples who could not have children would start having children with new partners with whom they had just been matched. In other words, formerly married husbands and wives saw their former partners coming to the church in the arms of new spouses.

TB was even bold enough to propose the swap to my colleague, Joe then a senior editorial staff of Guardian Newspaper. Joe and his wife were then seeking the face of God. And when they went to see the prophet he told them the only way out was to break up and find new separate partners from among the congregation.

Though TB looked meek he was known for his demonic anger which the insiders witnessed almost daily. I was then told by one of the so-called disciples helping him to manage the newspaper, how he threw up a large glass-topped table in his office in a fit of strange anger.

I did not stay for more than 3 months before TB folded the paper. So I did not stay long to see more of the disturbing things happening in the church. But the little I saw furnished rooms for reasonable suspicion. While I won’t vilify him in death, I won’t be so gullible as to join the team of his praise singers.

The Bible says we should not believe all spirits. But we must put them to the test to see if they are of the Lord. I put TB’s spirit to the test and there appeared to be too much fog around him, making me suspect him, though his persona was likable somewhat.

Source:- Punchng

I'm Baba Blow | Music Promoter | Blogger & OnlinePR | Music Producer | Broadcaster | CEO Blow Naija | +2348133032933

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Gold Coast (Coast Omonofewho) Releases Promo Photos, Named Lascurt Hotels International Enterprise Ambassador

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Rising artist Gold Coast (born Coast Omonofewho) has released a fresh set of promo photos as he continues to build momentum following the official drop of his single Thank You Lord. The new visuals arrive as the singer is also announced as the official Ambassador for Lascurt Hotels International Enterprise.

The promo photos showcase Gold Coast in a polished and confident light, capturing the energy and gratitude that define this chapter of his career. The images are expected to accompany ongoing promotions for Thank You Lord, which is now available on all major streaming platforms along with its official music video.

In a significant career development, Gold Coast has been named Ambassador for Lascurt Hotels International Enterprise. The partnership links the artist with a respected hospitality brand known for excellence and premium service. As ambassador, he will represent the group across key platforms and engagements.

“This season is full of blessings,” Gold Coast shared. “Releasing new promo photos, seeing Thank You Lord out in the world with its video, and stepping into the role of Lascurt Hotels International Enterprise Ambassador all feel like perfect timing. I’m grateful and ready for what’s next.”

The combination of new promo visuals, a freshly released single, and a high-profile ambassadorship positions Gold Coast (Coast Omonofewho) as a rising force to watch. Fans are encouraged to stream Thank You Lord, watch the official video, and follow his journey with Lascurt Hotels International Enterprise.
Stay connected to Gold Coast’s official channels for more updates and exclusive content.
Contact & Socials:
WhatsApp: 08140260839
X / Instagram / Facebook: @GOLDCOASTONTHIS

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FROM ENTRIES TO SPOTLIGHT: THE SOUNDOUT LIVE EDITION 2 JOURNEY

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What began as an open call for emerging musical talent in Delta State has evolved into a competition that is now entering one of its most decisive stages. SOUNDOUT LIVE Edition 2 has moved from its initial launch, through the release of its official competition beat and the submission of entries, to the current voting phase, bringing participating artists closer to opportunities for recognition, exposure and career development.

Organised through a collaboration between SOUNDOUTTV and COBYL CITY LTD, the second edition was created to provide emerging artists with a platform to put their creativity and performance ability before a wider audience. With a prize package valued at over ₦900,000, the competition was positioned from the outset as more than a search for a winning performance; it was an opportunity for participating artists to gain exposure and access to professional development opportunities.
The journey took its first major creative turn on 1 August 2026 with the release of the official SOUNDOUT LIVE Edition 2 competition beat. Produced by Berry IV for COBYL CITY LTD, the beat became the common musical foundation for contestants, giving each participating artist the same starting point while leaving room for individual interpretation, delivery and creativity.

With the beat released, the competition moved from anticipation to participation. Artists were required to build their entries around the official instrumental, recording either a freestyle or an original song and presenting their performances according to the competition’s submission guidelines.

Entries were shared on social media while tagging SOUNDOUTTV and were also submitted through the designated official channel, giving contestants their first opportunity to place their work before the competition’s audience.
The initial submission deadline was set for 14 August 2026, but the submission window was subsequently extended to 18 August, allowing the competition to accommodate the continued flow of entries before moving into its next phase.
With the extended submission period concluded, SOUNDOUT LIVE Edition 2 has now progressed into its current voting stage, shifting the focus from entry submissions to audience participation.

Voting is being conducted through the official SOUNDOUT LIVE voting platform. Each individual voter may cast a maximum of 33 votes for a single contestant, while contestants may receive an unlimited total number of votes provided they come from different supporters and comply with the competition rule.

The current stage gives the audience an active role in the competition. Beyond watching the performances, supporters now have the opportunity to stand behind their preferred contestants and contribute to the momentum of their journey as the competition progresses. For the contestants, it is another opportunity to turn the work they have already put forward into meaningful audience engagement.
The entries are in, the performances have been heard, and the competition has reached the stage where the audience gets to have its say.

Whose performance caught your attention? Which contestant left an impression? Now is the time to stand behind the artist you believe deserves your support. Visit the official SOUNDOUT LIVE voting platform, cast your votes and make your voice count. The talent has taken the stage; now, let the fans decide.

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Focox AT Officially Signs with Lucky Lisiano Records in Landmark Deal That Redefines Artist Empowerment

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In a move that is already sending shockwaves through the Afrobeats and global music communities, rising force Focox AT has officially signed with Lucky Lisiano Records (LLR). The contract is being widely described as one of the most artist-favorable deals ever put on paper — a rare, heavily enriched agreement that prioritizes the artist’s long-term ownership, creative control, and financial upside in ways rarely seen in modern label partnerships.

Based in Warri, Nigeria, Focox AT brings a distinctive sound and unfiltered energy that has been building momentum across the continent. Lucky Lisiano Records, headquartered in the United States, recognized the unique opportunity and moved decisively. The resulting partnership is being called “promising and unique” by both camps — a genuine bridge between Warri’s raw creative fire and LLR’s international infrastructure.

Under the new agreement, Focox AT will begin the partnership with two singles, followed by a full EP scheduled for release in the new year. Both artist and label have expressed strong excitement about the road ahead, describing the union as a true meeting of vision rather than a standard transactional signing.

There has also been growing talk of Lucky Lisiano Records establishing a physical headquarters in Nigeria, though no official timeline has been confirmed. Industry observers note that such a move would mark a significant expansion for the U.S.-based label and further solidify its commitment to African talent. With the first single expected August 14th 2026 and the EP locked in for mid 2027, both sides are already looking ahead. The consensus is clear: this partnership is built for impact. 2027 is shaping up to be a year of serious momentum.

About Focox AT

Focox AT is an emerging Nigerian artist from Warri whose music blends street authenticity with forward-leaning Afrobeats energy. His signing to Lucky Lisiano Records marks a major new chapter.

About Lucky Lisiano Records

Lucky Lisiano Records is a U.S.-based independent label focused on developing distinctive global talent with strong emphasis on artist-first partnerships.

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