BIOGRAPHY

Prosper Jay Biography

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Prosper Jay (born Amosun Abisola Johnson) is a talented Nigerian producer, songwriter, and Afropop artist whose creativity and sound design continue to shape the new wave of contemporary Afro-fusion. Known for his versatility, soul-stirring production style, and ability to merge rhythm with emotion, Prosper Jay has steadily built a reputation as one of the industry’s fast-rising music minds.



‎Hailing from Lagos, Nigeria, he began releasing music professionally around 2020 and has since grown into a recognized force with songs that resonate across streaming platforms. His catalogue spanning hit singles, collaborations, and production credits showcases his dedication to excellence and his ability to transform raw ideas into fully realized, impactful records.



Prosper Jay is widely known for standout tracks such as “Soke,” “On God,” “Fact,” “Kilafe,” “Journey,” “Grind,” and “Pounds and Dollars.” His collaborative strength has also earned him a place among Nigeria’s emerging talents, working with notable acts like Mascara Vibez, Altitude Rap, AY Baddest, Mykelbilly, YungTee, Radooskey, Oladips, Lyta, Boii Chase, and several other respected creatives within the industry.



‎His artistry extends beyond singles, he has contributed to various EPs and projects, including MIMD (Music Is My Dinner), Soke, and the conceptual body of work “And When I Die Remember Me Book of Prosperity 27:93″.

Whether as a lead performer or featured artist, Prosper Jay’s presence always elevates the music.


‎Popular Tracks:

Kilafe (feat. YungTee)

‎Fact

‎Alubarika (feat. Innzeal Marley)

‎Journey (feat. Emmidot)

‎Grind

‎On God

‎Bobo No Go Die

‎Pounds and Dollars (feat. Mykelbilly)

‎Soke


‎With each release, Prosper Jay continues to refine his craft and expand his influence, establishing himself as a creator with depth, purpose, and unwavering passion for music. As his sound spreads and his fanbase grows, he stands out as one of the new-generation talents to watch in the Nigerian music landscape.

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